#The long road home season 1 episode 7 tv#
MIPCOM: Traditional Players Show Strength in Transforming TV Market (Young later became a well known anti-war activist and the subject of the 2007 documentary Body of War.) Two hours stand out for their intensely moving narratives: the fifth, “The Choice,” which focuses on the Iraqi interpreter Jassim (Darius Homayoun), and the sixth, “A City Called Heaven,” which follows Army enlistee Tomas Young ( Noel Fisher) before and after Black Sunday, through his tragic journey from newlywed soldier to unhappily married paralyzed veteran. The rising number of wounds among the soldiers and the steady depletion of ammo gin up some urgency, but too many scenes force us to wait alongside the men for intervention without learning enough about who they are.Įach of Long Road Home’s eight episodes focuses on a different character, with extensive, Orange Is the New Black-like flashbacks fleshing out backstories.
#The long road home season 1 episode 7 series#
The multi-step rescue operation is somewhat hard to follow, robbing the series of tension it could certainly use more of. As the title implies, Long Road Home takes some time to pull the squads back in from danger. Michael Kelly and Jason Ritter give the production its obligatory boldface names, but their roles are relatively small and, in the overall scheme of things, pretty insignificant. Shane is both relatable and inspirational, a D&D fan who has to keep his smartest but most aggressive soldier (Jon Beavers) in line to ensure that there aren’t any unnecessary deaths on an already grisly and panic-stricken night.įar less compelling is the activity back at the base. Initially saddled with a baldly manipulative prelude about leaving behind his extremely photogenic children, Bonilla proves a fantastic anchor of a sprawling tale with his level-headed, slightly dorky presence. His team holes up in an Iraqi home and is forced to take its family of four hostage. Bonilla) and the two squads he’s leading are ambushed by heavily armed rebels.
On a routine surveillance run around the city (with an automated cannon towering out of the humvee roof), Lt. But I kept finding myself more often wondering what the characters made of their mission - which was sold to them as humanitarian peacekeeping - than absorbed in the umpteenth firefight between soldiers and insurgents. The mini is a lavish production, with chases, cityscapes, tanks and explosions vying for attention. That depoliticization lands The Long Road Home somewhere between an earnest brochure and a proper drama.